Events · festivals & concerts
Merch that gets made between sets.
Festival grounds are the rig's natural habitat: big crowds, long hours, and an audience that treats a fresh-pressed piece like part of the show.
Built for dirt lots and stage plots
Outdoor grounds strip away every assumption an indoor vendor makes. Power is generators or nothing; shade is whatever you bring; and the crowd arrives in waves timed to set breaks. Our festival build plans for all three: quiet generator power when house distro isn't available, a canopy-and-weight package rated for afternoon wind, and surge staffing so the station absorbs the between-sets flood instead of drowning in it.
Weather gets a real plan, not a shrug. Presses and film stay dry-boxed until doors, and we make the stay-or-fold call with your ops team using the same forecast windows the stages use.
Tour pop-ups and artist drops
For touring acts and one-night pop-ups, live pressing lets a limited drop happen in the room: a numbered run pressed while fans watch, then the press goes cold and the run is closed. Scarcity you can see is scarcity fans believe. Our backstage prep line — staged blanks, conveyor-dried stock, size runs sorted by night — keeps the front table moving while the room peaks. The streetwear launch case study shows the after-dark version of this format.
Tailgates, fan fests, and side stages
Not every show is a 40,000-cap field. College tailgates, brewery anniversary festivals, and amphitheater plaza events all fit the single-press footprint, usually at the base station rate on our pricing page plus hours. Vegas residencies and out-of-region tour stops add the flat $900 travel fee — the rig genuinely travels, so route it early and we'll be on the grounds before soundcheck.
Fastest way to check a date: call (562) 614-4800 with the venue and show window.
